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Category: Plays
Cover Title Author
Great Expectations
Charles Dickens Adapted by Jo Clifford

A beautifully simple adaptation of one of Dickens's best-loved novels, bringing it thrillingly to life for the stage.

Fearless
Mirra Todd

Fearless begins at this juncture where redemption, recovery, release or relapse is but an inch from each person's grasp.

$25.99
Love and Information
Caryl Churchill

Someone sneezes. Someone can't get a signal. Someone shares a secret. Someone won't answer the door. Someone put an elephant on the stairs. Someone's not ready to talk. Someone is her brother's mother. Someone hates irrational numbers. Someone told the police. Someone got a message from the traffic light. Someone's never felt like this before. In this fast moving kaleidoscope, more than a hundred characters try to make sense of what they know.

Bully Boy
Sandi Toksvig

A ferociously gripping play that tackles the challenging moral issues of contemporary military occupation and its effect on the mental health of serving soldiers with startling insight.

Two plays by Lally Katz. Goodbye Vaudeville Charlie Mudd is an evocation of a forgotten past. Return to Earth tenderly captures the moment when a young person moves from childhood to adulthood. 

I Am Shakespeare
Mark Rylance

A fascinating, witty and characteristically exuberant dramatic exploration of the Shakespeare authorship debate.

Mr. Melancholy is an absurd comedy of solitude and sorrow. Footprints on Water is a darkly comic parable of belief and judgement.

Stop. Rewind.
Melissa Bubnic

A disparate group of seven work colleagues in a local government office struggle to hold onto their dreams, as they desperately attempt to prevent being completely paralysed by their workplace, and by themselves.

Two plays by Declan Greene. Moth explores themes of friendship, bullying, mental illness, and the hierarchy of the schoolyard. Home Economics is a series of five vignettes balanced on the axis of sex and food. 

Silent Disco
Lachlan Philpott

In a world of absent mothers and missing fathers, Mrs Petchall battles to keep another year of students out of the ranks of the vanished. The Outsiders is on the syllabus again, but instead of Socs and Greasers, this is the world of Speds and Skanks—fuelled by Red Bull and powered by iPods. It can be hard to find your own rhythm when everyone is marching to the beat of a different drum.

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