Thirteen delicious tales by some of the country’s best emerging playwrights, The Voices Project 2014: Bite Me is a collection of seven-minute monologues tailored for young adult actors. 

Five plays are intertwined in one in this story of fringe dwellers living in an age of social, economic and moral deprivation. Mostly without work, and politically disengaged, they work at survival.

The first of its kind, this timely anthology brings together six contemporary Australian plays that offer a range of narratives and perspectives on asylum seekers. A vexed issue within the Australian community—particularly among politicians, who often use asylum seekers to further their own ends—this collection contributes to Australia's ongoing discourse on unauthorised asylum seekers, immigration detention, border control and the right to belong.

Five plays from around the country that illustrate the rich tradition of Indigenous storytelling as it flourishes in contemporary theatre.

Plays of the 50s is a collection of plays, including Sky Without Birds by Oriel Gray, Shipwreck by Douglas Stewart, The Night of the Ding-Dong by Ralph Peterson, and The Day Before Tomorrow by Ric Throssell. 

Plays of the 50s: Volume 2 is a collection of plays including The Multi-Coloured Umbrella by Barbara Vernon, The Slaughter of St Teresa's Day by Peter Kenna, Image in the Clay by David Ireland, and The Life of the Party by Ray Matthew. 

The plays in this volume were landmarks in the development of a rough new all-Australian theatre that celebrated the rude colour of Australian language and mores. It was a period of comedy and satire, but these plays reveal a sharp social criticism at work beneath the larrikinism.