Street people and celebrities, cross-cultural lovers and interfaith mavericks – all have been warmly welcomed at Sydney's Wayside Chapel. Founded by the Reverend Ted and Margaret Noffs, whose passion for the family of humanity was equalled by their love for each other, the Wayside Chapel has married over 50,000 couples. Including playwright Alana Valentine's own mother.
When Alana discovers the dress that her mother wore to her pre-wedding meeting with Ted, she makes her own vow: to seek out stories of religious rebellion in Australia during the seventies. What unfolds is her excavation of layers of family history, buried under the pressures of conservative religious doctrine, racial segregation and class warfare.
Based on over 50 interviews with real couples married at the Wayside Chapel, Wayside Bride is a communion with a quiet revolution that began in a Kings Cross side street; at weddings where queer men found in a nearby bar substitute for absent fathers, where rival pastors cry heresy, and where the lonely and discarded are offered a home. Come in. We'd be delighted to have you join us for the ceremony.
'A tribute to real love and belonging… a perfect bouquet toss for these times' —The Guardian ★★★★
'A story trying to encompass fifty years of history and the struggles is actually a story about the endurance of empathy and the power of love' —Theatre Now ★★★★
ALANA VALENTINE is an acclaimed dramatist and librettist working in theatre, musical theatre, opera and film. Described by Time Out as ‘an essential Australian dramatist, who writes the marginalised and oft-persecuted fringes of Australia into our dramatic canon with long-denied dignity and grace’, Alana has three plays on the NSW HSC Syllabus – Parramatta Girls (Drama), Shafana and Aunt Sarrinah (English) and Cyberbile (Design). Her play Letters to Lindy, drawn from the 20,000 letters in the National Library of Australia has had hundreds of amateur and school productions. Alana is particularly distinguished in her skills as a co-collaborator having worked in libretto and musical theatre such as Watershed: The Death of Dr Duncan (co-written with Christos Tsiolkas), Wudjang: Not the Past (co-written with Stephen Page) and Barbara and the Camp Dogs (co-written with Ursula Yovich) The latter won the 2019 Helpmann Award for Best Musical and Best Original Score, as well as numerous Green Room Awards. Her most recent plays are Nucleus, Wayside Bride, The Sugar House and arc for erth physical and visual theatre. Alana has chronicled her practice as a close work/verbatim theatre maker in Bowerbird: The Art of Making Theatre Drawn From Life. Her website is www.alanavalentine.com
| Cast Info | 16F, 12M |
| Genres | Drama, Verbatim / close work theatre |
| Themes | Political/Social themes, Full length play, Large Cast |
| Audiences | - |
| Extent | 96 |
| Edition | First |
| Size | 137 x 210 mm |