The inmates of the Girls Training School (GTS) Parramatta had about as hard an upbringing as you can get in Australia. But theirs is also one of the great untold stories of making good in tough times.
Parramatta Girls is based on the testimony of dozens of GTS old-girls. This vibrant play is a joyous and harrowing dramatisation of the experiences of eight inmates and their reunion 40 years later. Interspersed with song and storytelling, this is a tribute to mischief and humour in the face of hardship and inequality.
Eyes to the Floor chronicles the experience of girls sent from Parramatta Girls Home to the Hay Girls Home for even more brutal, punitive treatment. Written to be played by young adults, this moving work emphasises the childlike vulnerability of the inmates in a world where they must find connection with each other in order to to survive. Artfully woven with movement, chorus work and poetry, it is a compelling companion work to Parramatta Girls.
ALANA VALENTINE is an acclaimed dramatist and librettist working in theatre, musical theatre, opera and film. Described by Time Out as ‘an essential Australian dramatist, who writes the marginalised and oft-persecuted fringes of Australia into our dramatic canon with long-denied dignity and grace’, Alana has three plays on the NSW HSC Syllabus – Parramatta Girls (Drama), Shafana and Aunt Sarrinah (English) and Cyberbile (Design). Her play Letters to Lindy, drawn from the 20,000 letters in the National Library of Australia has had hundreds of amateur and school productions. Alana is particularly distinguished in her skills as a co-collaborator having worked in libretto and musical theatre such as Watershed: The Death of Dr Duncan (co-written with Christos Tsiolkas), Wudjang: Not the Past (co-written with Stephen Page) and Barbara and the Camp Dogs (co-written with Ursula Yovich) The latter won the 2019 Helpmann Award for Best Musical and Best Original Score, as well as numerous Green Room Awards. Her most recent plays are Nucleus, Wayside Bride, The Sugar House and arc for erth physical and visual theatre. Alana has chronicled her practice as a close work/verbatim theatre maker in Bowerbird: The Art of Making Theatre Drawn From Life. Her website is www.alanavalentine.com
| Cast Info | 8F |
| Genres | Verbatim / close work theatre, Australian History, Drama |
| Themes | Gender diverse themes, Political/Social themes, Significant female roles, First Nations |
| Audiences | Adult, Young Adult, Secondary: Years 10-12 |
| Extent | 160 |
| Edition | First |
| Size | 137 x 210 mm |
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