The joyous, chaotic, autobiographical story of actor, writer and social-media sensation Rob Madge as they set out to recreate that parade – and this time, nobody, no, nobody is gonna rain on it.

Meet Edna: she's 14, she's a misfit, she's kind of a genius and ... she's in love. With Harry. There's just one problem: Harry doesn't actually know that she exists. Because Harry is in the world's biggest boy band, True Connection. But to Edna, that's just a small obstacle.

Winner of the Judges' Award in the prestigious Bruntwood Prize for Playwriting (UK), Kendall Feaver's captivating play is a profound and compelling study of a young woman trying to discover where her illness ends and her identity begins. The Almighty Sometimes is a quick-witted and bracingly honest take on the difficult choices you make in your child's best interests, and what happens when you no longer have a say.

S. Shakthidharan's extraordinary multilingual play (English, Tamil and Sinhalese) Counting and Cracking traverses countries and decades to bring us an epic tale of family, love and politics.

Vivian Bearing, Ph.D., a renowned specialist in the brilliantly difficult Holy Sonnets of John Donne, has been diagnosed with stage four metastatic ovarian cancer. But during the course of her illness – and her stint as a prize patient in an experimental chemotherapy programme – she comes to reassess her life and her work with profundity and an unbearably moving wry humour.

In Thirroul, Emily sits on the beach with her kind of ex-boyfriend, figuring out how to deal with her unwanted pregnancy. In Mostar, Bosnia-Herzegovina, Jana goes to get groceries and slams into the reality of the European refugee crisis.

A retelling of British history through the prism of slave trade — who owns Britain's past, and who has the right to tell its stories? Winner of the 2018 Alfred Fagon Award.

In For We the Young, a collection of plays by one of Australia's most beloved writers of theatre for young people, Finegan Kruckemeyer offers a glimpse into worlds of quiet sorrow and deep joy, daring feats and ingenious leaps. His quirky humour and surprising stories release the imagination and let it run wild, trailing images and words behind like so many footprints in the snow.

The second part of Kate Hennig's powerful Queenmaker Trilogy, retelling the stories of three Tudor queens of England, in contemporary settings.

Jody O'Neill's play What I (Don't) Know About Autism mixes narrative, song, dance and direct address to explore this contentious and often misunderstood subject matter.