Georgia Christou's Bright. Young. Things. is a funny, fast-paced play about identity, truth and the challenge of finding out who you really are. It is part of Platform, an initiative from Tonic Theatre in partnership with Nick Hern Books. Aimed at achieving greater gender equality in theatre, Platform comprises big-cast plays with predominantly, or all, female casts, written specifically for performance by young actors.

Three Kings by Stephen Beresford is a heartbreaking and hilarious play for a solo actor about fathers and sons, the gifts and burdens of inheritance, and the unfathomable puzzle of human relationships.

The Wardrobe Ensemble's play The Last of the Pelican Daughters is a comedy about four sisters trying to come to terms with their mother's death. It combines the company's trademark irreverent humour and lovable characters to tackle the idea of what it means for young people to grapple with inheritance, loss and justice.

The second part of Kate Hennig's powerful Queenmaker Trilogy, retelling the stories of three Tudor queens of England, in contemporary settings.

Sisters Connie and Ursula were once everything to each other. Years on, they're almost strangers.

When a family bombshell is dropped, Connie is forced to retrace forty years of sisterhood and confront a web of secrets and conflicting loyalties.

Jody O'Neill's play What I (Don't) Know About Autism mixes narrative, song, dance and direct address to explore this contentious and often misunderstood subject matter.

Olivier Award-winner Conor McPherson's stunning adaptation of Anton Chekhov's masterpiece, Uncle Vanya, is a portrayal of life at the turn of the twentieth century, full of tumultuous frustration, dark humour and hidden passions

A darkly comic, smashed-up retelling of Richard III, Shakespeare's classic tale about the lust for power, Teenage Dick reimagines the most famous disabled character of all time as a high-school outsider in junior year: the deepest winter of his discontent.

When Tom and Samad meet for the first time, they are stunned by the similarities they share. In spite of Tom's adoption and all the years spent apart, the two brothers are joined by an undeniable biological bond. But as they become closer and their lives entangle, they realise that finding each other comes at a price.

After the death of her sister is left unresolved, Esther is broken and alone. Searching for closure, she is increasingly drawn to the disturbing world of Keith. As their relationship progresses, the two spin webs of trickery and deceit – but who is the spider, and who is the fly?