A shocking crime divides the nation.  It’s easy to have an opinion online, safe behind the anonymity of a keyboard. But as the digital mob polish their pitchforks, the world starts to question just how free should free speech be?

Family, food, music and mourning. Natasha Gordon's debut play Nine Night is a touching and very funny exploration of the rituals of family.

Gut is a taut psychological thriller that asks: who can be trusted with our children – and is it more dangerous not to trust at all?

Misty is an inventive blend of gig theatre, spoken word, live art and direct address, confronting the assumptions and expectations underpinning the act of telling a story.

Caroline, or Change is an uplifting and profound portrait of America at a time of momentous social upheaval in 1963.

Lynchburg, Virginia, on the former site of a cotton mill. Fourteen-year-old Ruffrino is struggling to make sense of his place in an impoverished world filled with seemingly random killings of young black men.

Siblings Fanny and Alexander are growing up amidst the gilded romance and glamour of 1900s Sweden. But their world is turned upside down when their widowed mother remarries the iron-willed local bishop. 

Li, a 10-year-old boy, is plucked from his village in rural China and sent to a ballet academy in the big city. He leaves everything and everyone he loves, including his family. Over years of gruelling training, he transforms from an impoverished peasant to a giant of the international dance scene. What does he find along the way?

Looking deep into the heart of Sydney and beyond, Jump for Jordan unpacks the experience common to countless second-generation Australians of being caught between two cultures. 

Education, Education, Education is a love letter to the schools of the 1990s and asks big questions about a country in special measures, exploring what we are taught and why, and where responsibility lies.