With a background in TV directing, working with professional presenters and training new ones for the TV industry, Kathryn Wolfe takes you through the techniques and skills required to become a successful presenter. 

Taking many of the techniques explored in her international bestseller Freeing The Natural Voice, in this companion volume Kristin Linklater shows how to apply them to the exploration and speaking of Shakespeare’s language.

The essential guide to getting into drama school.

This handbook is for students, graduates and all those who aspire to stage management, whether amateur or professional, on a large or small scale. Complete with charts and helpful checklists, it takes the reader through a typical production, week by week.

An intensely practical 'how-to' book for actors, helping you meet the challenges of picking, preparing and performing audition monologues for theatres, agents, casting directors and training programmes. With a foreword by David Mamet.

The Space to Move is a key sourcebook for actors, directors, students and teachers, detailing the vital building blocks of movement training.

Distinguished playwright David Edgar examines the mechanisms and techniques which dramatists throughout the ages have employed to structure their plays and to express their meaning.

A remarkably candid autobiography, utterly involving and often startlingly revelatory, Antony Sher's Beside Myself is an inspiration to young actors and a treat for seasoned theatregoers.

John Abbott, author of The Improvisation Book, explains how theatre directors at every level can use improvisation in the rehearsal room. Foreword by Mark Rylance.

Shakespeare Monologues for Men contains 50 monologues drawn from across the Shakespeare canon. Each speech is prefaced with an easy-to-use guide to Who is speaking, Where, When and To Whom, What has just happened in the play and What are the character's objectives. In fact, everything the actor needs to know before embarking on the audition!