A young soldier returning from the trenches of the First World War recollects a love that dare not speak its name. Almost one hundred years later, a groom-to-be prepares for his gay wedding. Queers celebrates a century of evolving social attitudes and political milestones in British gay history, as seen through the eyes of eight individuals. 

Developed during Williams’ 2015 residency, Smurf in Wanderland is one man’s insightful and hilarious examination of football, tribalism, belonging and identity. It’s also a passionate defence of the fan—what it means to be a fan, the demonisation of fans and the artificial wedge that has been created between Sydney and its western suburbs.

Yonni is a seventeen-year-old gay Jewish kid. It’s the last day of term and he’s avoiding everything. The only person he wants to be around, think about, be about... is Adam.

This one-person play of mirrors and mannerisms explores the strange world of the body double. It makes unique contributions to timeless theatrical concepts of images and representation. Lake Disappointment is an unusual new work about ego, self-fashioning, and illusions.

Set during the early noughties, Arinzé Kene's good dog is a theatrical monologue that chronicles growing up in a multicultural community, and the everyday injustices that drive people to take back control. 

The Fleabag bites back. A rip-roaring account of some sort of female living her sort of life.

A touching and provocative story of first love though the eyes of a gender-curious teen, Scorch was inspired by recent UK cases of 'gender fraud'.

Mr Incredible is a brutal one-man play about modern love and old-fashioned entitlement.

In Search of Owen Roe is a powerful and engaging piece of storytelling about ancestry featuring myriad characters, an evocative sound design and richly nuanced text.