Jim's life is going nowhere. But after watching the film I Hired A Contract Killer, Jim's found a solution – he'll just put out a hit on himself. What could possibly go wrong?

Olga, Masha and Irina dream of returning to Moscow… But time marches on… Soldiers come and go, babies are born, great calamities take place. Life happens while the three Prozorov sisters wait for theirs to begin. It's time to act.

When an unhappy estate agent sells a house to Alice, a charismatic social media influencer, the two strike up an unlikely friendship. But as her obsession with Alice's seemingly perfect world intensifies, the lines between online and reality become dangerously blurred.

Three monologues from one of the most respected Indigenous voices, that each present a different view of how changes in the law from the 1940s to 1970 affected Aboriginal people. 

A farmer's daughter howls into the night, run ragged by hunger and grief. Over the course of one long night, the Woman and a Dingo forge an alliance to claw closer to the things they ache for… but it's a dangerous deal to make.

Set in the French Alps in 1940, Steven Carl McCasland's Little Wars is an enthralling, entertaining and ultimately moving portrait of seven exceptional women – and a thrilling fiction based on truth.

The Motherhood Project draws together dramatic monologues and real-life reflections by some of the UK's leading writers, artists and thinkers, and explores all the guilt, joy and absurdity, the regrets, pressures and taboos surrounding motherhood.

Meet Edna: she's 14, she's a misfit, she's kind of a genius and ... she's in love. With Harry. There's just one problem: Harry doesn't actually know that she exists. Because Harry is in the world's biggest boy band, True Connection. But to Edna, that's just a small obstacle.

Inspired by the lives of two of Australia's most influential playwrights of the 1970s, Jim McNeil and Peter Kenna, Mongrels addresses the difficulties and complexities of the creative artist in life and art.

On a sweltering day, 26 January, 1788, on a bluff high above Sydney Cove, seven Aboriginal men stand looking out to sea. Moored off-shore is a huge nowee (boat) … then there are two, then more. Who are these visitors? Where are they from? What do they want? Should they be turned away—by force—or welcomed to country?