The Bronze Age. The Iron Age. The Age of Oil. The Stone Age didn't end for want of stones. Oil follows the lives of one woman and her daughter in an epic, hurtling collision of empire, history and family.

Parents-to-be Kurt and Martha just want the best for their baby. They’re not afraid of hard work – the latest buggy doesn’t come cheap. But when Kurt’s boss offers him a chance to make some easy money with a mysterious side job, his rashness catches up with him.

Dan and Will climb mountains. Aged eighteen, they climbed Everest. They became legends. Rachel isn't interested in being a character in Dan's story. She intends to make her own. But with the thrill of a climb just days away, it's not just principles, but people, in danger.

This is a play about gender, the ethical dimensions of modern love, and a mandatory sillier third theme to make the whole thing seem less serious, in this case lemon tart.

Luce and Charlene are thirty-something binge-drinking soulmates. Clocking in after a heavy night out on the tiles, they pop caffeine pills and down miniatures on the factory floor, boasting about last night's sexual conquests. When you're living for today, who cares about tomorrow?

Terence Rattigan's epic and probing drama about the man immortalised as Lawrence of Arabia.

Shakespeare's heartbreaking tale of forbidden love, brought to life in a new production co-directed by Rob Ashford and Kenneth Branagh.

April 1967. Greece is in political turmoil. Charlotte and Theo have retreated to a small island in search of peace and inspiration. But when they meet a charismatic American couple at the port they are seduced into making choices with devastating consequences.

Jess and Dylan are in love. They want a family. That's all they have ever wanted. This perfectly ordinary couple find themselves on an extraordinary journey when they enter the world of IVF. 

Alice and Michael met six years ago. Three years later their daughter Lily was born. Now, in a Yorkshire meadow, just past midnight, they're having an argument. Because Alice is cold, she's tired, and Michael won't stop telling her that she died twelve hours ago.