Billie Collins's play Too Much World at Once is an urgent coming-of-age story for our times – and a lyrical, theatrical journey that spans continents and lives. 

Amber is trapped – by her family's rules and expectations, and by her own fears. But on the running track she feels free. As her body speeds up, the world slows down. But it's time to start a revolution: for her mother, for her sister, for herself. Run, Amber. Run.

David is gay, disabled and profoundly horny. He can't eat, drink or shower by himself – or wank. Totally inexperienced, he embarks on a sexual and romantic odyssey, armed with a fierce brain, and dick pics that he has to get someone to take.

Katherine Moar's captivating debut play Farm Hall dramatises the true story recorded inside the bugged walls of the actual Farm Hall between July 1945 and January 1946.

The Harp in the South Trilogy follows the trials and tribulations of the Darcy family over thirty years, from country New South Wales in the 1920s to the inner-city slums of Surry Hills in the 1950s.

From slammed doors to living-room karaoke, Lydia Marchant's play Mumsy is a sparky, soulful comedy drama about the highs and lows of motherhood. 

From farm to town to big town and back again, HER comes face to face with her own mortality. Unable to access the care she needs in the country, she travels in and out of the city confronting the ultimate journey to save herself, alone.

It's 1973, and Bill from Des Moines, Iowa, has arrived on the ferry at Dover. He intends to conquer the whole of the island, like Caesar attempted before him. As he travels the length and breadth of Britian, something strange starts to happen...

Ian Hallard's The Way Old Friends Do is a tender, laugh-out-loud comedy about devotion, desire and dancing queens.

Struggling actor David can't get enough of drugs, alcohol, women, gambling as he battles debilitating mental health issues. When David is thrown an unlikely lifeline, he must find the strength to confront his inner demons and buried trauma.