The spirit of a girl who was killed in tragic circumstances delves into the secret lives of her neighbours as she searches for her killer. Winner of the 1991 Chalmers Outstanding New Play Award.

In September 2004, a group of terrorists stormed School Number One in Beslan, Russia, taking hundreds of children, their parents and teachers hostage. The ensuing siege lasted three days and left many dead. Us/Them is not a straightforward account of this terrible tragedy, but an exploration of the entirely individual way children cope with traumatic situations.

On a summer’s day in 1900, three Australian schoolgirls on a picnic expedition to the remote Hanging Rock abscond from their group. They are last seen heading towards the beckoning Rock…

From the wry, warm and wonderfully distinctive voice of Matthew Whittet comes a play about being lost in the jungle of teenagerdom and coming out the other side.

Midsummer. The village must choose a new Daughter to sail with the fishing boats and bless the waters, keeping them safe from the roaming orcas for another year. Fan hopes with all her heart to be the one they choose. But her older sister Maggie says she must never, never, go with the boats. Because something happened to Maggie out there. And no one will admit it.

The gold rush is waning in Koolgalla and editors of the Koolgalla Argus must decide between protecting old interests and investing in the future. But when new editorial assistant, JG Milford, arrives and 'J' stands for Jenny, she creates havoc.

Inside her triple-glazed compound, Augusta shields herself from the catastrophic elements, bathing in the classics and campaigning for the reinstatement of global reliance on fossil fuels. Outside, the world lurches from one environmental cataclysm to the next. 

Forced out of London by spiralling living costs, Cathy finds herself in an unfamiliar town with no friends and no money; pushed to make choices she doesn't want to make...

The Bronze Age. The Iron Age. The Age of Oil. The Stone Age didn't end for want of stones. Oil follows the lives of one woman and her daughter in an epic, hurtling collision of empire, history and family.

The Fleabag bites back. A rip-roaring account of some sort of female living her sort of life.