1968. East Berlin. Anna and Hans are married, in love and moving up in the world – but it is a world ruled by suspicion. Who can be trusted when everyone is listening? Can we ever escape our past?

A fast and wild ride into the darker side of our celebrity-obsessed culture, with three people who share a single goal: to lose themselves in the night.

Six Indigenous women gather on country for what seems like a fun camping trip by the river, a chance to get away from the daily grind, a time to natter and laugh. These strikingly different contemporary Aboriginal women joke and bicker, rile each other one minute and comfort each other the next. And when the peace of the campsite is upended, they band together to make it right. 

About to be fired from her cleaning job for stealing a volume of Euripides, Jude turns her employer's outrage to shock by translating the ancient Greek on the spot. The employer, a Classics teacher, knows great talent when she sees it and the encounter kick-starts Jude's lifelong ambition to study at Oxford University.

Young courtier Shahrazad poses as a ‘Smuggle’ (a refugee) about to be executed by the despotic King Shahrayar. To save her life, she tells the king a story he can’t resist. It’s a tale of magic and transformation, demons and lovers, adventure and terror.

Daisy Moon—founder, president and so-far only member of the Batemans Bay Little Monsters Fan Club—is in a world of her own. She's the only girl she knows who hasn't got her period yet. She's the only one who can't afford tickets to see her idol Lady Gaga. She's the only one who feels like she doesn't belong. When the effortlessly cool Parker turns up and wants to join the Monsters fan club, Daisy's world is sent spinning into a strange and wondrous orbit.

In a room in a house in a provincial town, three sisters wait for their lives to begin. Olga, the eldest. Masha, the middle child. Irina, the youngest. The clock strikes. A candle is lit. The clock stops. Something catches fire. The clock strikes. They wake up.

August Strindberg's classic portrayals of secrets and lies, seduction and power – both written in the summer of 1888 – in brilliant new versions by Howard Brenton.

A reframing of Henrik Ibsen's classic in three different historical periods: the suffragette movement, the Swinging Sixties and the modern day intertwine in this urgent, poetic play that asks how far have we really come in the past hundred years?

The Yellow Wallpaper - A recuperating woman, a misguided husband, a hideously papered bedroom.

Pinocchio - An epic adventure of danger, villainy and excitement, told through multiple characters, mask, puppetry, song and plenty of hilarious audience interaction.