From slammed doors to living-room karaoke, Lydia Marchant's play Mumsy is a sparky, soulful comedy drama about the highs and lows of motherhood. 

It's 1973, and Bill from Des Moines, Iowa, has arrived on the ferry at Dover. He intends to conquer the whole of the island, like Caesar attempted before him. As he travels the length and breadth of Britian, something strange starts to happen...

Ian Hallard's The Way Old Friends Do is a tender, laugh-out-loud comedy about devotion, desire and dancing queens.

Welcome to Bluewater, Tasmania—a mining town with no mine, where the population is ageing or leaving, and the future is a tenuous daydream. If something doesn't change soon, there'll be no town left to stay for. So when a rich and charming count appears wanting to turn Bluewater's fortunes around, it makes sense to invite him in, doesn't it? And when strange accidents happen, vines grow healthy in barren soil and people start disappearing, that's all fine too. Isn't it?

Lemons Lemons Lemons Lemons Lemons is a tender and funny rom-com about what we say, how we say it, and what happens when we can't say anything any more.

Steven Moffat's play The Unfriend takes a hilarious and satirical look at middle-class England's disastrous instinct always to appear nice. 

It's 1984, and as France play Yugoslavia in the Euros, a man meets a woman in a Parisian café. Together they set out to uncover mysteries and delve ever deeper into the Art of Illusion. 

Neil Bartlett's sparkling adaptation of Virginia Woolf's famous fantasy Orlando finds powerful contemporary relevance in her vision of equal rights to love for bodies of every kind. 

A family packs into a small house with a tangled history. Clive Judd's play Here is a tender, funny and utterly truthful story about family and feeling. 

Joe White's Blackout Songs is a compassionate and unflinching study of love, addiction and memory.