Clare has it all. She's a noblewoman living her best life in medieval Italy, trying out hairstyles, and sharing the latest gossip with her sister and maids.

Everything is on track for her to marry some super-rich nobleman and live super-richly ever after. But on the streets of Assisi, she meets Francis, who's sharing some of the wildest ideas Clare has ever heard. And when she listens to what he has to say, her eyes are opened to a whole new way of living.

Chiara Atik's play…

Hannah had her trip all planned out. Travel to Korea. Visit her birth mother. Spend a golden summer creating precious memories. But when she arrives in Seoul reality hits hard. Her Umma seems more interested in stacking shelves and re-arranging the garden gnome display than connecting with her long-lost Australian daughter.

In the rural town of Tahmoor, Joe and Karim—father and son—farm Lebanese cucumbers on borrowed land. Both born in Australia and unmoored from their family's ancestral roots in Lebanon, Joe is satisfied with his lot, while Karim yearns for something more. When father and son are suddenly evicted, Abdul offers them shelter—and an unexpected path back to their heritage.

A thousand-year-old statue of the Bodhisattva Guanyin lives in the British Museum. When it emerges that the statue was stolen from its original home, the museum attempts to deflect both the public response and controversial repatriation claims from the Chinese government. As statesmen scheme and grease their palms, beneath the statue, witches dance, a cleaner prays, and spirits weep.

Hyltons' Caribbean takeaway is a much-loved restaurant in the heart of Liverpool. Built by Carol and her late husband into a bustling hub with a mouth-watering menu, it serves great food with a huge side-order of love. But in a world of delivery apps, street-food markets and gourmet curry goat, the old ways are changing. Liverpool is changing too, with a luxury apartment block about to be built over a local playing field. Anger is rising, nobody can agree on anything any more, and things are…

A gripping new play from S. Shakthidharan (Counting and Cracking, The Jungle and the Sea) co-directed by Hannah Goodwin (The Curious Incident of the Dog in the Night-time, Never Closer), The Wrong Gods melds mother-and-daughter struggle with the economics of progress, asking, what are we worshipping? And what price will we pay?

In a hotel basement somewhere in Birmingham, three people – a nurse, a delivery driver and an entrepreneur – are attending a speed-awareness course to address their aggressive driving.

When two penniless actresses meet in Shanghai at auditions for Ibsen's  A Doll's House, they quickly become inseparable. But as political upheaval rips through China, their tumultuous friendship will alter not only the course of their lives, but the course of history. One will become China's first female director. The other, the architect of the Cultural Revolution.

Nineteen-year-old Pip is trying to find themselves through gardening. But with a dad more interested in plants than people and a mum stuck in the past, they're left to ponder life's questions alone. Then one day, they uncover a jacket in the attic that's been gathering dust. Bold, vibrant and very '80s, in its pocket lies a diary belonging to someone long gone. Swept up in the mystery, Pip digs into the past, unearthing secrets about an old friend their parents don't want to…

It's 2042 and Australia is more automated than ever before. Janelle, a woman of Cantonese heritage, and her partner Harry, a First Nations man, move back into Janelle's family home after the death of her mother. As they attempt to navigate their lives, they find themselves assisted by the quirky AI controlling their home and a robotic therapy dog.