Lady Dealer is a mile-a-minute, one-person poem play by Martha Watson Allpress about forgiveness, the exhaustion of trying, and mistaking self-destruction for self-preservation.

Gwen is throwing a party for the end of school. After an emotional year, her friends are keen to spend the night drinking, playing games, and talking. But a party game spirals out of control, long-held tensions start to strain and snap.

Edith Aldridge is the youngest woman to be elected leader of her country. In a lush presidential suite in a heritage listed hotel, she has just 90 minutes to get ready for the biggest day of her life. Enter Rosie, a 22-year-old makeup artist from the David Jones counter, sent to help Edith get camera ready. In Rosie's capable hands, this morning will be a breeze. So long as they both stick to the brief.

Yaga, a genre-bending comedic fairy tale meets thrilling whodunit gives voice to an antihero of epic proportions while interrogating how her story has historically been told by men.

This powerful verbatim play is drawn from the testimony of residents – a group of survivors and bereaved – at the heart of the Grenfell Tower tragedy

When orphaned Mary Lennox comes to live at her uncle's great house on the Yorkshire Moors, she finds it full of secrets. Left to make her own entertainment, Mary stumbles upon a garden, overgrown and locked for years. A forbidden garden

When This Is Over is a uniquely personal, theatrical celebration of hope, possibility and imagination. It's about how we can work with chaos, and embrace our collective imagination as we prepare for a deeply uncertain future – together.

AJ wasn't meant to go to prison, but once he is convicted of theft, he is placed behind the walls of an institution where his own body is stolen from him. In a cramped communal cell, AJ will become a 'jailbaby'—the ward of a justice system that chooses to turn a blind eye to the life-altering sexual violence committed against young men behind bars.

Lily's grandmother was a beauty queen back in Hong Kong. She doesn't care that times have changed, that Lily lives in a new country and a new century. She sees a granddaughter caught between worlds. So Poh Poh pushes Lily into entering the highly competitive Miss Peony, and no matter how hard Lily tries to wriggle out of it, her grandma won't take no for an answer. And to make matters worse, she's a ghost.

With breathless hilarity, Kimber Lee's untitled f*ck m*ss s**gon play jumps through time, wriggling inside of and then exploding lifetimes of repeating Asian stereotypes, wrestling with history for the right to control your own narrative in a world that thinks it can tell you who you are.