This gripping Romeo and Juliet story by acclaimed writer Malorie Blackman is a captivating drama of love, revolution and what it means to grow up in a divided world.

Georgia Christou's Bright. Young. Things. is a funny, fast-paced play about identity, truth and the challenge of finding out who you really are. It is part of Platform, an initiative from Tonic Theatre in partnership with Nick Hern Books. Aimed at achieving greater gender equality in theatre, Platform comprises big-cast plays with predominantly, or all, female casts, written specifically for performance by young actors.

All Mona sees is the Earth falling apart, but no one really seems to care. Amidst the chaos of competing and contradictory voices, she sets off on a kaleidoscopic journey to find solutions for the planet

Burnt is a bush yarn, born and bred out of the true stories of people from regional Australia struggling with prolonged dryness. It looks at the stresses and strains of continued drought on families and young people.

Taboo is both a warning to young people who might make themselves sexually vulnerable through date rape, and a celebration of a young woman brave enough to tell her story. 

The Stones is based on the true story of two boys charged with manslaughter after throwing rocks from a freeway overpass and killing a motorist. Were the boys old enough to be responsible for their actions?

CUSP juxtaposes the Northern Territory's vast landscape with the turbulent lives of three emerging adults swimming against the tide of irrevocable change.

This musical adaptation is packed with memorable characters, catchy songs and brilliant storytelling for all school, college, youth-theatre and amateur groups looking for a ‘fresh, ambitious and inventive’ version of a much-loved classic.

Twelve-year-old Celeste - 'half French, half Chinese and all Australian' - travels to China to scatter her mother's ashes. There she meets her grandmother, Por Por, a ghost-hunter. When Celeste learns she may have inherited her grandmother's talent, she must decide whether to acknowledge her gifts and use them to save her family and friends, and if she has the strength needed for the job.

The problem with love is that it's different for everyone. For Bex, love is a handjob in detention and the promise of a date at a Chinese buffet. She doesn't even like Chinese. Sophie Ellerby's play LIT explores the turbulent teenage years of a Nottingham girl looking for love in all the wrong places.