James Fritz's play The Flea is a retelling of the Cleveland Street Scandal that shook England – from the streets of Bermondsey to the halls of Buckingham Palace – and features a flea, a horse, a detective, a queen, a pimp, a god, and Charlie, the telegraph boy who knelt before the Crown.

Metamorphosis is a visceral and vital depiction of humans struggling within a system that crushes them under its heel, a shocking tale of cruelty and kindness.

Amanda Whittington's play The Invincibles celebrates two generations of inspirational women, and their adventures on the football pitch a century apart. 

Powerful, angry and surprising, The Real & Imagined History of the Elephant Man imagines an alternative history of the person who came to be known as 'the Elephant Man'. It restores Joseph Merrick to the centre of his own story: a man fighting for his right to be and to belong.

It's 1671, and the charismatic and unpredictable Colonel Blood is planning the greatest heist of all time: stealing – in plain sight – the Crown Jewels from the Tower of London.

In May 1926, Britain grinds to a halt, as workers down tools for the General Strike. The stage is set for a fierce battle over control of the news and who gets to define the truth.

A thrilling collision of music hall, cabaret and drag king swagger, Modest tells the true story of a pioneering megastar of the Victorian art scene.

Mark Evans' stage play Bleak Expectations is a hilarious, chaotic caper, featuring dastardly villains, preposterous names, pulse-quickening romances, heart-rending death scenes, and definitely, probably, hopefully a happy ending.

Summer 1860, an elegant country house, a young boy is found dead in an outside privy. Over twenty years later, still haunted by the case, Jonathan Whicher from Scotland Yard visits the murderer. 

Katherine Moar's captivating debut play Farm Hall dramatises the true story recorded inside the bugged walls of the actual Farm Hall between July 1945 and January 1946.