Family, food, music and mourning. Natasha Gordon's debut play Nine Night is a touching and very funny exploration of the rituals of family.

Two teenagers sneak into an old man’s home for a secret meeting. A young couple try to build their future whilst looking after an ailing parent. A care home offers its residents the opportunity to unburden their children.

Gut is a taut psychological thriller that asks: who can be trusted with our children – and is it more dangerous not to trust at all?

A young writer challenges the status quo but discovers that creative gain comes at a personal cost.

An ethereal family drama, Joe White's debut play Mayfly explores rebirth in the aftermath of tragedy. 

In 1949, scientist and mathematician Dr Jacob Bronowski installs a hidden, locked room in his house. Fifty years later, his grandson discovers the secrets contained in the room, unearthing echoes from across six million years of human history.

Deceptive Threads tells the extraordinary true stories of David Joseph’s grandfathers—one a Tivoli singer turned ASIO spymaster who vetted ‘unwanted’ arrivals, the other an early Lebanese immigrant who had to lie about his birthplace to gain Australian naturalisation.

Kev used to be captain of the school football team. Scored the winner in the All-Essex Schools Cup Final. He used to have a girlfriend called Lisa; she wore a fitted blazer, and lit up the playground. Ben used to get beaten up most days. He stole money from his mum’s purse to pay off Wicksy. Then there was Ben’s mate Jack. Loyal, unbreakable Jack.

The story of Tom and Viv, their love and the life they’ve shared together – from first spark to dying light. But not necessarily in that order.

Misty is an inventive blend of gig theatre, spoken word, live art and direct address, confronting the assumptions and expectations underpinning the act of telling a story.