The top candidate without question, Vanessa was made to be Mayor. Thirty years prior, Josie just wants things to change and seeks a seat on the local council.

Two plays by Noëlle Janaczewska. Good with Maps is sad and confronting, but it’s also funny and thoughtful, celebrating the power of literature to transport us to places both real and imagined. Teacup in a Storm is a window into the largely unseen world of carers and the power of love and determination.

Greasy fish’n’chips, sticks of rock and a pot-bellied Spider-Man throwing himself off the pier; the annual ‘Birdman’ competition is in full flight. It’s the busiest weekend of the year in this faded seaside town, but Bayview B&B is somehow closed for business.

Equality is here – now what? In a supposedly ‘post-gay’ America on the brink of passing marriage equality, a first date at a New York bar starts two men on a fearless, funny and fragmented journey leading up to a historic moment of change.

Adapted by Gbolahan Obisesan from the Man Booker Prize-shortlisted novel by Chigozie Obioma, The Fishermen is a powerful allegory of brotherhood, vengeance and fate. 

A contemporary, lyrical love story, Charley Miles's play Blackthorn explores the changes and choices that pull us from the places and people we love.

Eva Di Cesare has adapted Abdel-Fattah's book Where the Streets Had a Name into a daring adventure of freedom and friendship, exile and courage, family and love.

Snatches: Moments from 100 Years of Women's Lives documents, remembers and bears witness to a century of struggle for progress and equality for women in the United Kingdom.

A selection of the best work of Stephen Jeffreys, including Valued Friends, The Clink, A Going Concern, The Libertine, Interruptions and Finsbury Park.

During an attack on London, Imogen joins a social media campaign offering refuge to victims. Before her family have even had a chance at a reasonable discussion, John is at their door. He is different to them. He isn't what they expected. And although they'd never admit it to themselves, he isn't necessarily what they want.