A retelling of British history through the prism of slave trade — who owns Britain's past, and who has the right to tell its stories? Winner of the 2018 Alfred Fagon Award.

CUSP juxtaposes the Northern Territory's vast landscape with the turbulent lives of three emerging adults swimming against the tide of irrevocable change.

Set in the sanitised grunge of Collingwood, Single Ladies is a buddy story of lone women in the city told over the course of a day, from the award-winning writer of Going Down and Rice.

Sisters Connie and Ursula were once everything to each other. Years on, they're almost strangers.

When a family bombshell is dropped, Connie is forced to retrace forty years of sisterhood and confront a web of secrets and conflicting loyalties.

The second part of Kate Hennig's powerful Queenmaker Trilogy, retelling the stories of three Tudor queens of England, in contemporary settings.

Seventy-six year old Patricia has dropped out of life. She is living on her verandah, waiting for her time to come, when her granddaughter arrives to stir up the town. This is a play about what it is to be Australian in a multicultural world.

A gripping reinvention of Emily Brontë's classic that exposes a very different but essentially truthful side to two of literature's most electric lovers. 

It's 1975. Hundreds of officers are working around the clock in the Millgarth Incident Room to undertake the biggest manhunt in British history, for one of the most notorious serial killers: the Yorkshire Ripper.

Jody O'Neill's play What I (Don't) Know About Autism mixes narrative, song, dance and direct address to explore this contentious and often misunderstood subject matter.

This radical reworking of Christopher Marlowe's classic tragedy Dr Faustus brings together the original story of the man who sells his soul to the devil with a startling act of provocation by 21st-century artists the Chapman Brothers.