Dry Powder is a razor-sharp comedy about the people who shape – and skew – the economy.

A bed and breakfast in Gettysburg, Pennsylvania. A cheerful innkeeper. A young couple struggling to stay together. Thousands of inanimate objects, watching.

This funny, heartfelt and compelling one-woman play Hanna asks what family means in a modern society, delicately weaving in questions of racial identity, economic privilege, and the lottery of birth.

Natal'ya Vorozhbit's play Bad Roads is a heartbreaking, powerful and bitterly comic account of what it is to be a woman in wartime.

The year is 1569, and in a cold, stone room in a Staffordshire castle, a group of women sew elaborate tapestries. Rich or poor, at home or held against their will, four women’s lives intersect on the point of a needle. Embroidery is their escape, their sanity, and their expression: of love, loss, artistry and power. For these women’s stitches have the power to change not just their own lives, but the course of English history.

A radical re-imagining by playwright Evan Placey of Robert Louis Stevenson’s classic tale, where civilised society meets seedy Soho in a thrilling collision of Victorian England with the here and now.

When her best friend Jay goes missing, Dee withdraws into a twilight world of fragmented memories and conversations, shattered by her grief. Where should she look for Jay? What did she miss? What did Jay say? And what couldn’t she say?

Looking deep into the heart of Sydney and beyond, Jump for Jordan unpacks the experience common to countless second-generation Australians of being caught between two cultures. 

Luke left his high-flying City life to discover serenity in the Scottish Highlands, but he can't escape his past. Is Tony, his brother, everything that's wrong with Luke's old life, or is he the only one who can really see into his soul?

An extraordinary play that asks a simple question: is it ever possible to move on?