In a world full of words, how can Dana be herself when she can't speak? Dana has selective mutism, but that doesn't stem her vivid imagination. Because it's not just the noise you make that makes you who you are. Alexis Zegerman's play Shout is a funny, moving drama about anxiety, celebrating difference, and finding your voice.

Jane Austen's life was censored by the patriarchy and romanticised by popular culture. Created/curated from an intergenerational feminist perspective, this work from old collides elements of music and verbatim theatre within a dreamscape.

Genderfluid protagonist E negotiates the space between the men's and women's change rooms. They flex in front of the cute pool attendant. As they step onto the diving blocks, the words of their Aunty come to them—and suddenly, the crystalline blue tiles give way to much deeper water.

At Misselthwaite Manor, a brokenhearted house full of secrets and strange noises, Mary discovers a garden as lost and neglected as she is. If she can learn to make friends with robins, grumpy gardeners and a boy who speaks to animals, Mary might be able to bring more than just the garden back to life…

Faith Omole's play My Father's Fable is a gripping story of grief, belonging, and a family on the edge.

Mother is in prison. Daughter has come to visit. Closely watched by security, they have one hour to undo the damage of eleven years of separation. Surrender explores what it takes to survive in a punishing and dysfunctional penal system when your child is on the outside.

Dublin, 1850. The delicate balance at the heart of an affluent couple's marriage and family business is challenged when two visitors – a former enslaved woman and her emancipator – come to Ireland to speak to the public about trade, money and the abolition of slavery.

Sam's eighteen and her life's about to start. Zoe's forty-something and hers never did. They don't have much in common. Just a love of '80s new wave, and an illness that wants them dead. Thrown together in an eating disorder unit, their most intimate secrets exposed, they form a complicated bond. 

Four men convicted of domestic abuse offences meet each week to undergo a perpetrator programme. But as Jen, the new group facilitator, starts to make progress with the men inside the room, life outside begins to buckle.

In Charlie Falkner's darkly absurdist comedy, a motley crew of five find themselves trapped by a once-in-a-lifetime crocodile infestation. With the reptiles closing in and the humans losing grip, who is the real threat here? The encroaching reptiles, or each other?