Katherine Moar's captivating debut play Farm Hall dramatises the true story recorded inside the bugged walls of the actual Farm Hall between July 1945 and January 1946.

Billie Collins's play Too Much World at Once is an urgent coming-of-age story for our times – and a lyrical, theatrical journey that spans continents and lives. 

David is gay, disabled and profoundly horny. He can't eat, drink or shower by himself – or wank. Totally inexperienced, he embarks on a sexual and romantic odyssey, armed with a fierce brain, and dick pics that he has to get someone to take.

From slammed doors to living-room karaoke, Lydia Marchant's play Mumsy is a sparky, soulful comedy drama about the highs and lows of motherhood. 

It's 1973, and Bill from Des Moines, Iowa, has arrived on the ferry at Dover. He intends to conquer the whole of the island, like Caesar attempted before him. As he travels the length and breadth of Britian, something strange starts to happen...

Ian Hallard's The Way Old Friends Do is a tender, laugh-out-loud comedy about devotion, desire and dancing queens.

Lemons Lemons Lemons Lemons Lemons is a tender and funny rom-com about what we say, how we say it, and what happens when we can't say anything any more.

Steven Moffat's play The Unfriend takes a hilarious and satirical look at middle-class England's disastrous instinct always to appear nice. 

It's 1984, and as France play Yugoslavia in the Euros, a man meets a woman in a Parisian café. Together they set out to uncover mysteries and delve ever deeper into the Art of Illusion. 

Neil Bartlett's sparkling adaptation of Virginia Woolf's famous fantasy Orlando finds powerful contemporary relevance in her vision of equal rights to love for bodies of every kind.