On the eve of July 4th, in the Hamptons, Elena is preparing to throw a party to celebrate her husband, Henry, as he unveils his latest architectural masterpiece. But their already vulnerable union is shattered by the unexpected arrival of a former student of Henry's, Mathilde, with whom he shared an intimate connection…

A thousand-year-old statue of the Bodhisattva Guanyin lives in the British Museum. When it emerges that the statue was stolen from its original home, the museum attempts to deflect both the public response and controversial repatriation claims from the Chinese government. As statesmen scheme and grease their palms, beneath the statue, witches dance, a cleaner prays, and spirits weep.

Hyltons' Caribbean takeaway is a much-loved restaurant in the heart of Liverpool. Built by Carol and her late husband into a bustling hub with a mouth-watering menu, it serves great food with a huge side-order of love. But in a world of delivery apps, street-food markets and gourmet curry goat, the old ways are changing. Liverpool is changing too, with a luxury apartment block about to be built over a local playing field. Anger is rising, nobody can agree on anything any more, and things are…

The Black Woman of Gippsland is a poetic and thrilling tale about the myths and half-truths that surround the figure of a 'white woman' said to have lived among the Gunaikurnai people of Gippsland in the 1840s.

A gripping new play from S. Shakthidharan (Counting and Cracking, The Jungle and the Sea) co-directed by Hannah Goodwin (The Curious Incident of the Dog in the Night-time, Never Closer), The Wrong Gods melds mother-and-daughter struggle with the economics of progress, asking, what are we worshipping? And what price will we pay?

Blackpool, 1976. The driest summer in two hundred years. The beaches are packed. The hotels are heaving. In the sweltering backstreets, far from the choc ices and donkey rides, the Webb Sisters are returning to their mother's run-down guest house, as she lies dying upstairs. When memories from their youth come flooding back, the sisters must confront their past and untangle a web of secrets, betrayals and profound emotional bonds.

Veda and Bea haven't spoken since their dad's funeral; not since Bea scratched something obscene into the bonnet of Veda's cherished convertible. But one wet Tuesday morning, Veda shows up out of the blue on Bea's doorstep, determined to break down the walls built by so many things left unsaid.

The family home is more than merely a building. It can be a destination of pilgrimage, an inherited investment, a repository of memory or even magic.

And, for brother and sister Stephen and Billie, home is all they have. Mucking along in their decaying farmhouse, they're doing just fine. That is, until the arrival of an ex-clergyman uncle with an unscrupulous plan, a sister-in-law seeking a miracle, and a prodigal brother hell-bent on trouble.

When two penniless actresses meet in Shanghai at auditions for Ibsen's  A Doll's House, they quickly become inseparable. But as political upheaval rips through China, their tumultuous friendship will alter not only the course of their lives, but the course of history. One will become China's first female director. The other, the architect of the Cultural Revolution.

A sharp and celebratory new play from Gumbaynggirr/Wiradjuri woman Dalara Williams, that pays respect to a generation that led the way, and to Black women who won't take a backward step.